A pair of authentic headphones is a must-have unit in a modern studio setup. But which one do I pick? Well, today we’ll dive into the massive pool of headphones and fish out the best studio headphones for mixing.
A good set of studio headphones should simply allow you to mix and produce a harmonized audio that’s magical to listen to no matter the system played on.
I would recommend a pair of closed-back headphones for live studio recording that will allow you to monitor the recordings with no sound leaking into the mic.
Studio headphones with long coiled cables are a plus so that you can move around the studio.
If you are in a hurry, I will totally suggest to you my all-time favorite Sony MDR-7506. I just love the emphasis on the mids and highs.
It’s super clear and catches all harsh sections in my mixing.
But if you still want more, here are the best studio headphones for mixing.
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The Best studio headphones for mixing Reviewed
What is a better way to reward yourself than to grab this dynamic studio weapon? The Sennheiser HD-206 was introduced in 2017 to replace the long serving HD-201 headphone.
The HD-206 is a closed-back headphone with very soft leatherette padding, extensive adjustments, and matching ear cups that are track-shaped.
It features hypoallergenic ear pads that block superfluous sounds while mixing in the studio.
This unit comes with a twin-core non-detachable cable that runs to a point below the chin then splits to each ear.
Sennheiser headphones are super durable and the HD-206 remarkably follows into the same footstep.
I love the bass touch in this headphone. It’s rich and detailed to the core with pristine mids and high.
Get a Pair of Sennheiser HD-206 headphones and enjoy the magical mixing.
Released in 1991, the Sony MDR-7506 still stands out to be a great most trusted headphone for studio mixing. It’s plastic made with few metal attachments and screws which makes it super lightweight.
The MDR-7506 is a closed-back headphone that allows listening to audio mixes without leaking into the recording.
They feature a well-balanced sound profile with a bit tweak of whack and thump but not exaggerated.
The emphasis on the mids and highs is cleverly defined bringing the accuracy and clarity details of instruments and voices.
At first, I did find the paddling in the MDR-7506 somewhat uncomfy and receive the same review from a couple of other producers.
But after I swapped the pads with better ones from the online sifting, I’m still comfortably enjoying my MDR-7506.
Coming next on this list is the Superlux HD 681 headphone. They are semi open-back headphones and this brings out a crisp base compared to other fully open-back headphones.
If you are just starting your mixing or producing career but on a tight budget then the HD 681 headphones are for you. Get them like yesterday.
They have a balanced sound ideal for beginner audiophiles and you’ll enjoy the massively extended frequency range.
They feature a consistent bass and treble delivery, mid-accuracy, and excellent mid-treble range making their sound super pristine.
Although the HD 681 “leather” head strap is not adjustable, the entire headphone flexes just enough to fit any head comfortably.
The ear cups are large and will fit most listeners’ ears. But I’ll recommend changing the ear paddling because they feel a bit stiff.
The headphones come with a 2-meter-long non-detachable audio cable to allow you to move around the studio easily.
The Extreme EX-29 is sorely designed for isolation especially when tracking and tweaking. They are ideal for sound engineers who are mixing or mastering on crowded places like churches.
Although they are only calibrated 29dB noise reduction they pretty much isolate sound better compared to other premium headphones with higher rate noise attenuation.
They feature the new true sound tonal accurate drivers that deliver sound in a smooth and balanced way.
The EX-29 comes with a round ear design and comfy paddling that reduce pressure on the ear hence allows you to wear the headphones for a long period of time.
I like how these headphones fold and become compact which is great when traveling for gigs and outdoor production sessions.
The 9-foot audio cable will enable you to connect to audio gear a bit far from your mixing area.
A cool feature about the EX-29 is the “Red is Right” which simply helps you to identify the direction to wear your headphones.
I rate these headphones great for sound isolation, and if that’s your specialty, grab them already.
The Beyerdynamic DT 770 Pro comes in three versions, 32 Ohms, 80 Ohms, and 250 Ohms. But for critical mixing and listening, the Pro 250 Omhs is the perfect fit.
It comes with grey velour earpads that are which are super comfortable on the listener’s ear.
They are closed-back headphones, with natural and accurately balanced audio. The mid-range is overemphasized and the base is extended but not bloated that you’ll grasp all instruments and vocals clearly.
The treble is well defined which allows the headphones to sound a bit sharp on some tracks.
With a good amp like this one or other strong audio devices, you are good to go with the DT 770 Pro 250 Ohms.
The premium Shure SRH 1540 is designed for comfort and excellent performance. They have a natural frequency response and they are the flattest closed-back headphones on this list.
They feature Alcantara shield ear pads with carbon fiber end caps cover and all the materials used to tailor the SRH 1540 are lightweight and feel durable.
To meet your studio standards, they got crisp bass, defined accuracy, and rich highs.
The massive soundstage features detailed midrange, warm bass, and extended highs.
Equipped with these, you’ll enjoy finite mastering, monitoring, as well as detailed listening.
The SRH 1540 is super comfortable and adjustable.
If you are the long hours in studio type guy, this headphone is what you need.
Now for my final pick…
The Philips Audio Fidelio X2HR is the first open-back premium headphones appearing on this list. They are sorely designed for the audiophile and offer a great well-balanced sound profile.
They feature quality padded ear cups and an adjustable headband that make it easy to wear for a longer time in the studio.
The Fidelio X2HR offers natural and well-balanced sound to the listener. With the open-back design, its soundstage is open and feels so natural.
Although open-back headphone has a bad reputation on noise bleeding into the mic, Philips X2HR is among the most recommended headphone ever release.
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The bottom line, no single headphone fits to be considered perfect.
It all trickles down personal preference, taste, listening traits, price, and what you want to achieve.
In today’s article, I have listed the best headphones for mixing factoring out some of the features why I think they best fit to appear on this list.
I hope you find a suitable headphone that meets your current project.